when did profession critics get so out of touch?
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They are so out of touch with what the audiences want. There are some top box office movies where the critics are pretty on point with the audiences, but for the most part critics are doing a bad job lately.
https://www.rottentomatoes.com/m/ferdinand
https://www.rottentomatoes.com/m/daddys_home_2
https://www.rottentomatoes.com/m/the_star_2017
https://www.rottentomatoes.com/m/justice_league_2017
https://www.rottentomatoes.com/tv/star_trek_discovery/s01
https://www.rottentomatoes.com/tv/orville/s01
https://www.rottentomatoes.com/m/star_wars_the_last_jedi
https://www.rottentomatoes.com/m/ferdinand
https://www.rottentomatoes.com/m/daddys_home_2
https://www.rottentomatoes.com/m/the_star_2017
https://www.rottentomatoes.com/m/justice_league_2017
https://www.rottentomatoes.com/tv/star_trek_discovery/s01
https://www.rottentomatoes.com/tv/orville/s01
https://www.rottentomatoes.com/m/star_wars_the_last_jedi
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Comments
Fans, I would say, have it much easier, since they focus on what they want and don't have to make any professional approach when rating anything. Then this might be just my observation, but general audience, especially on the internet, tends to use extremes while rating a movie/game etc. More often than not it's either "it's good" or "it sucks". And I would rather not speak of "fanboys/fangirls" part of fans as a group.
These two approaches, I believe, are bound to clash between themselves and hence I don't consider rotten tomatoes or metacritic very reliable. I think the best way is to find a reviewer who's opinion is often close to your own, and then while reading/watching a review, focus on what reviewer says more than on the final rating. I think the "why" factor is more important than the grade itself.
More scientific audience polls like CinemaScore (https://www.cinemascore.com/) conduct random surveys of audiences after they have viewed a movie (eliminating self-selection bias and "reviews" from those who haven't seen a film). The grades are pretty high on average (B+ is an average grade), but their results are actually pretty good at predicting the final box office gross as a multiple of the opening weekend.
Rating systems are hard to gauge unless you take in all of that reviewers work.
Usually a writer will explain WHY they do or do not like something. Its up to the reader to determine if they agree with that type of opinion.
They wanted certain things to happen in regards to Rey, they wanted to see extended lightsaber battles, and, more than anything, I think detractors wanted to see their personal vision fueled by years of fan theories come to life. And it didn't. To be perfectly frank, "The Last Jedi" is the most I've been surprised (as far as plot twists go) than ANY movie of the last few years. At least 4 of them as a matter of fact. It was refreshing to have absolutely no clue what was going to happen, whereas most movies you can figure out within 30 minutes.
For instance, Wonder Woman got a 92% fresh rating but an average rating (among critics) of 7.5/10
https://www.rottentomatoes.com/m/wonder_woman_2017/
The new Jumanji movie gets a 77% fresh rating but an average rating of 6.1.
https://www.rottentomatoes.com/m/jumanji_welcome_to_the_jungle
(There are probably other examples, but these are just some of the more recent ones I've noticed)
So I think that website in general is kind of messed up.
2) when haters leared how to rig polls.
In fact, if I were to get on football, I would just bet the opposite of what my friend does.
( too many female and ethnic minority characters is another reason for the attacks).
Star Trek: Disovery, likewise, has had it's ratings spiked for having a black female lead and a prominant gay couple.
Bottom line: you may not agree with the critics, but they are much less downright corrupt than "audience ratings".
Besides, if it's some known franchise or a particular director is involved, then I don't even need the score numbers, I already know whether I care or not to watch it. The rest of it is good with just ratings, the probability of it mismatching my own score (good, ok, meh, bad) has proven to be sufficiently negligible to not worry too much about missing something good or stumbling into something bad. It's sitting at 7.7/10 on IMDB. That's "likely to be very good and definitely not a waste of my time" in my book.
As for TLJ, we are seeing something of a fightback against the downvote-bots. But still, it should be more like 9.7.
And as for the people claiming an "SJW" agenda, you are entirely correct that it is because of the casino and weapon running statements, but also that Poe's brash fly-boy behavior is revealed to be the exact WRONG way to go in this movie, and it is checked by two older, powerful women.
If "The Force Awakens" was about reviving the mythology of the series after the distaste (for many) of the prequels, "The Last Jedi" is about tearing the myth down so something new can be built. But, more than that, it's about learning from failure. Which apparently alot of people can't stand.
Unless you really think Oscars have artistic merit - such as C. Theron getting one for accepting to look "ugly" or A.Hathaway getting one for getting thin and cutting her hair to look "boyish" - let us not pretend artistic merit and popularity always, or very particularly coincide.
Heck, why by that logic of "integrity" did not Piano get best director Oscar, even if the ending was "watered down"? (I do enjoy the pun here)
It could be these were well made movies some vocal but unrepresentative segment of the audience did not like.
The influence of opinion corrupts, surely as power does with some - whom in these fora has not liked to be liked?
But to dismiss whole profession of critics seems unfair. I personally believe that reputable publications shall require their critics to either demonstrate great general analytical ability, or specific understanding of the medium.
Edit: or Peter o'Toole not getting recognised for Lawrence of Arabia? That was a travesty, only he played partially unlikeable char compared.
Your conservative daddy never voted, say - and now he might be blind, seeing a movie that had an opinion?
None of the RPGs I've loved the best dodged human issues. Which means politics, religion, privilege and oppression, our ideals and nefarious deeds - and the lot.
Torment, BG, NWN2, DA.
All of those are deeply human stories. It bothers me such self-censorious attitude would be purportedly asked of movie makers, when best of gaming was never so. But I also think the "outrage" is manufactured.
Beyond that, I'm also seeing alot of people upset about how Luke is portrayed in the film, and (without giving anything away) the fact that they think it's ridiculous that he would have one moment of weakness that led to the way things were. Where this idea that Luke had infallible judgement came from I have no idea. Luke's bad judgement is the centerpiece of the second half of "The Empire Strikes Back".
Incidentally I had no problem with the all female cast of the new Ghostbusters but I thought it was a movie that didn't need to be made. It paled in comparison to the original. The original is a classic that I don't believe is dated at all. My 10 year old daughter liked both movies though.
The remake of The Thing was weirder to me with the female lead because there were no female characters whatsoever in the 1982 film, the 1950's film or the book. She looked very out of place to me in that context. I still enjoyed it but it was a tad annoying...